Future Lasts Forever highly praised in Toronto
Future Lasts Forever highly praised in Toronto
Özcan Alper's second film 'Gelecek Uzun Sürer' (Future Lasts Forever) made its world premiere at the Toronto Film Festival.
The film was shown in 'Contemporary World Cinema' section of the of the festival and presented by the festival director Piers Handling. Handling also spoke highly about the film in his article in the festival website, stating that the film is a product of Alper's experting period and successfully deals with a highly complex and politic problem with an original cinematography. Festival director also stated that as a director having a comprehensive knowledge of the geography of the country outside Istanbul as well, and dealing with the political issues of the country bravely attracts a great deal of attention in Turkish cinema with his authentic expression.
The audience at the premiere showed their appreciation by standing in applause and not leaving the room for a long time.
Piers Handling writes that "Özcan Alper’s second feature film is many things. Visually, it is a stunning work, featuring some of the finest cinematography I have seen this year and capturing the unique Turkish countryside in its many moods. It is also a love story with a twist, as one half of its central couple is absent for virtually the whole narrative. And to give the film an extra dimension and edge: it confronts the Kurdish reality within Turkey.
Future Lasts Forever is an achingly reflective road movie (with a few inside references to one of the masters of this form, Wim Wenders), tracing a young Turkish woman’s voyage to find her Kurdish lover, who has left to take up the fight of his people. Sumru (Gaye Gürsel), an ethnomusicologist armed with a tape recorder, decides to find and record the elegies, or testimonies, of Kurdish survivors of Turkish atrocities. These are eloquently delivered, mostly by women whose men have been killed — often right before their eyes. But the underlying reason for Sumru’s trip is to find the man who claimed her heart.
At her first stop, the city of Diyarbakir, Sumru meets another man who shares her interests, and soon the two find themselves spending more and more time together. But Alper confounds narrative expectations: even as this new couple continues their voyage together, romantic involvement is not his focus. Instead, his attention rests on people trapped in the past, fumbling to make sense of events that have changed their lives. The silent, enduring landscape is always there, a kind of mute witness to the living and the dead. How can such tragedy exist amid so much beauty?
A film of memories — personal, collective and historic — Future Lasts Forever marks the maturation of an exciting new Turkish talent. Alper pauses and observes, creating quiet emotional moments of devastating power as his heroine moves closer and closer to solving the mystery of her lover’s disappearance".
Alper first film, "Sonbahar" won several prizes and was acclaimed and praised at several festivals.
The film was shown in 'Contemporary World Cinema' section of the of the festival and presented by the festival director Piers Handling. Handling also spoke highly about the film in his article in the festival website, stating that the film is a product of Alper's experting period and successfully deals with a highly complex and politic problem with an original cinematography. Festival director also stated that as a director having a comprehensive knowledge of the geography of the country outside Istanbul as well, and dealing with the political issues of the country bravely attracts a great deal of attention in Turkish cinema with his authentic expression.
The audience at the premiere showed their appreciation by standing in applause and not leaving the room for a long time.
Piers Handling writes that "Özcan Alper’s second feature film is many things. Visually, it is a stunning work, featuring some of the finest cinematography I have seen this year and capturing the unique Turkish countryside in its many moods. It is also a love story with a twist, as one half of its central couple is absent for virtually the whole narrative. And to give the film an extra dimension and edge: it confronts the Kurdish reality within Turkey.
Future Lasts Forever is an achingly reflective road movie (with a few inside references to one of the masters of this form, Wim Wenders), tracing a young Turkish woman’s voyage to find her Kurdish lover, who has left to take up the fight of his people. Sumru (Gaye Gürsel), an ethnomusicologist armed with a tape recorder, decides to find and record the elegies, or testimonies, of Kurdish survivors of Turkish atrocities. These are eloquently delivered, mostly by women whose men have been killed — often right before their eyes. But the underlying reason for Sumru’s trip is to find the man who claimed her heart.
At her first stop, the city of Diyarbakir, Sumru meets another man who shares her interests, and soon the two find themselves spending more and more time together. But Alper confounds narrative expectations: even as this new couple continues their voyage together, romantic involvement is not his focus. Instead, his attention rests on people trapped in the past, fumbling to make sense of events that have changed their lives. The silent, enduring landscape is always there, a kind of mute witness to the living and the dead. How can such tragedy exist amid so much beauty?
A film of memories — personal, collective and historic — Future Lasts Forever marks the maturation of an exciting new Turkish talent. Alper pauses and observes, creating quiet emotional moments of devastating power as his heroine moves closer and closer to solving the mystery of her lover’s disappearance".
Alper first film, "Sonbahar" won several prizes and was acclaimed and praised at several festivals.
